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The Films of Cheryl Dunye
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The Watermelon Woman
1996: Berlinale (World Premiere, Teddy Award Winner)
The Watermelon Woman
The first feature-length film written and directed by a Black lesbian, THE WATERMELON WOMAN depicts Cheryl, a twenty-something Black lesbian working as a clerk in a video store while struggling to make a documentary about Fae Richards, a “forgotten” 1930s performer known as the Watermelon Woman, whose story proves to have surprising resonances with Cheryl’s own life as she navigates a new relationship with a white girlfriend (Guinevere Turner).
DIRECTOR Cheryl Dunye
The Owls
2010: Berlin; 2011: Palm Springs International
The Owls
An experimental thriller/film noir about four “Older-Wiser-Lesbians” who accidentally kill a young lesbian and try to get away with it. Screenplay is by Sarah Schulman, based on a story by Cheryl Dunye, and stars some of the most popular underground artists in Lesbian Cinema, including Guinevere Turner, V.S. Brodie, Lisa Gornick and Deak Evgenikos.
DIRECTOR Cheryl Dunye
Black is Blue
2018: Frameline (World Premiere)
Black is Blue
BLACK IS BLUE is a short narrative that tells the story of Black, an African American Trans man, who works as a security guard inside an apartment complex in present day Oakland, California. On the night of a ‘stud party,’ Black is forced to confront his pre-transition past, struggling to make his outside match his inside.
DIRECTOR Cheryl Dunye
The Early Works of Cheryl Dunye
The Early Works of Cheryl Dunye
Spanning 1990-1996, THE EARLY WORKS OF CHERYL DUNYE explores identity, race, culture, desire, sexuality, politics, family, and relationships, offering stories that fulfill what Dunye perceived was a lack of films about, and images of, African American lesbians.
DIRECTOR Cheryl Dunye