TFC May 2019 Newsletter

Something wonky in the design?
Check it out on the web for the best possible view.


	TFC May 2019 Newsletter

	New Blog Post For those of you who have you always wanted to know about Tax Credits but were afraid to ask, we interviewed Zachary Tarica of The Forest Road Company just for you…and you’re welcome.

TFC congratulates the following Festival clients on their recent festival awards!

		GAY CHORUS DEEP SOUTH Tribeca – Audience Award, Best Documentary NorthwestFest – Audience Award, Best Documentary NorthwestFest – Jury Prize, Best Music Documentary Pink Apple Zurich – Audience Award, Best Documentary
		OUR TIME MACHINE Tribeca – Best Cinematography, Documentary CAAMFest – Best Documentary Los Angeles Asian Pacific (LAAPF) – Grand Jury Award, Int’l Documentary Feature
		THE GARDEN LEFT BEHIND SXSW – Audience Award, Visions Wicked Queer Boston – Audience Award, Narrative Feature Translations – Audience Award for Best Feature Narrative Bentonville – Best of the Fest

TFC congratulates the following Festival clients for rocking it on the festival circuit!

(Midnight Traveler and Mr. Toilet are also TFC Fiscal Sponsorship clients)

			Artifishal Changing the Game Gay Chorus Deep South Our Time Machine
			Midnight Traveler Mr. Toilet Our Time Machine
			Artifishal Changing the Game Gay Chorus Deep South The River and the Wall
			Always in Season The Garden Left Behind
			The Garden Left Behind Gay Chorus Deep South Good Kisser Making Montgomery Clift Sell By Vision Portraits
			Artifishal Good Kisser Midnight Traveler

Orly Ravid will participate on the Doc Edge New Zealand panel VOD is The New Black
TFC will be at Sheffield Doc/Fest
TFC will be at InsideOut Toronto LGBT Film Festival’s Financing Forum
TFC will be at Frameline43

Black Skeleton (Directed by Lyric Cabral and Cora Atkinson, Produced by Micha Cooper-Edwards)
Juba Under the Stars Film Festival (Produced by NuNu Deng)
Little LA (Directed by Justin Nico Flocco, Produced by Paul Biasco)
Manji (Directed by Yousuke Kiname, Produced by Yousuke Kiname and Adam Weissman)
Portraits For Roberta (Directed by Pulkit Datta, Produced by J. Motts)
Sisters With Transistors (Directed by Lisa Rovner, Produced by Anna Lena Vaney and Marcus Werner Hed)
Studio One/Back to the Backlot (Directed by Marc Saltarelli, Produced by Marc Saltarelli and Lloyd Coleman)
Swan Song (Directed by Todd Stephens, Produced by Todd Stephens and Stephen Israel)
The Art of Being Homeless (Produced by Minnie Goode and Dan Mott)
Why the Bleep Do They Hate Me? (Directed by Mike Rott, Produced by Mike Rott and Sheldon Rott)
Worin (Directed and Produced by Beth Lane)

Several emerging filmmakers who relied on Amazon Prime to distribute their work report that their movies have disappeared from the platform without warning. Has this happened to your film?
An interview with Werner Herzog on his fast food preferences, what personal possession he could never get rid of and what skills he would bring to a post-apocalyptic society.
Popular on our Facebook page: Most film festivals insist that each film is screened in its entirety and judged on its own merits. The truth is that the exact process varies widely depending on the festival.

Facebook